Day Eighty One: On the Heights by Robert Crannell Minor

Hello and welcome to Day 81 of 100 days of Tonalism.

Painted after - On the Heights by Robert Crannell Minor, Study by M Francis McCarthy - Size 5x7, Oil on wood panel

Today's study is On the Heights by Robert Crannell Minor.

Robert Crannell Minor was a Tonalist artist born in 1839 and died in 1904. I will be reading a bit about Robert on today's video narration so please check that out.



Continuing on with our recent discussion regarding my history as a landscape painter; today we're going to talk more about my earliest days as a landscape painter. As I stated yesterday, I initially started working on 6x8 canvas panels but I found the canvas to be a bit too textural at such a small size. So I started working on wood panels. I would just paint the panels with gray house paint and then do my painting.

I was using photography as reference for the paintings I was doing and I was going out and photographing an area that was behind my workplace at that time. This is the Campbell perk ponds. Campbell is a city located very close to San Jose in California.

I'm guessing I did about 45 paintings of that area. I knew, to become a good landscape painter that the key was to do a lot of paintings and so I was endeavoring to do a painting every few days. The small size made accomplishing this quite a bit easier. I'm quite proud of a lot of the paintings that I did then and I chalk a lot of my initial success up to my many years as a commercial illustrator and also to beginners luck.

I have noticed that the universe seems to give beginners a certain amount of leeway. This is mostly the case when they are starting on a path that is appropriate for their individual destiny as an artist. I have seen beginners luck at work many a time.

I started a blog to log my progress and to share what I was doing with the world at large. Here's a link to that blog here.

My initial style would've been considered to be impressionistic, but It's hard to say since the reality is I was just doing my best to do a painting from the reference I had at hand. In most cases my early paintings was quite faithful to the photograph I was working from. I was not overly concerned with style anyway, I was mostly concerned with just getting a handle on creating paintings. I've always done my best to make any artwork that I've created as beautiful as possible. The early paintings that I did were no exception, many of them came out nicely.

While I was in the process of my initial foray into oil painting I was also buying a lot of books and some DVDs as well. I mentioned in a previous blog posts the two guys that I found most helpful. I was also researching and learning a lot about the properties of oil paint including what different pigments were made from as well as about different binding mediums. The very first paintings that I did, I just used linseed oil as a medium but it didn't take me long to discover alkyd mediums.

Tomorrow we will continue on with this discussion regarding my progression and history as a landscape painter so stay tuned for that.

Cheers,

M Francis McCarthy
Landscapepainter.co.nz

A bit about On the Heights by Robert Crannell Minor; I've not heard much about Robert, but this painting of his caught my eye immediately. In many ways it struck me as semi-contemporary in that I'd seen paintings similar to this in my youth in the 60s.

I enjoyed painting the Autumn colors and I'm quite pleased with the gestural way that I handled the fence. This study has a nice resonant quality especially when viewed in real life.

To see more of my work, visit my site here

Original painting, On the Heights by Robert Crannell Minor

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Day Eighty Two: Evening by John Francis Murphy

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Day Eighty: Approaching Storm by George Inness