Day Forty Six: Evening Sky by Henry Ward Ranger

Hello and welcome to day 46 of 100 days of Tonalism.

Painted after - Evening Sky by Henry Ward Ranger, Study by M Francis McCarthy - Size 5x7, Oil on wood panel

Today's study is of 'Evening Sky' by Henry Ward Ranger.

Henry Ward Ranger was born in 1858 and died in 1916, he was a well-known Tonalist painter. I will be reading some biographical information about him in today's video narration.



Over the last several weeks we've been discussing defining aspects of Tonalism which I wrapped up yesterday. This is not to say that some additional aspects may come up again but I believe we've covered every major aspect.

Here is a list of the topics that we covered over the last several weeks:

  • Tonalist paintings contain either no figures or very small figures.
  • Usually the painted scene can be contained within a single glance.
  • Tonalist paintings exhibit a unity of color (Tonalism).
  • Tonalist painters are inclined to working indoors.
  • Tonalist paintings exhibit fractured brushwork.
  • The time of day depicted is generally early in the morning or late in the day.
  • There is less detail in Tonalist landscape paintings than in the movement that preceded it.
  • Edges are diffuse and blended with an atmospheric quality predominating.
  • Landscape subjects are generally nonspecific avoiding grandiose vistas.
  • Tonalism exhibits a minor as opposed to a major key.
  • Tonalist paintings often attempt to convey spiritual qualities.
  • Brushwork is expressive and gestural.
  • Tonalist painters use warm red or orange undertones in their work.
  • Glazing with thinned oil paint is often utilized.
  • Paintings are executed indirectly as opposed to Alla prima.
  • Tonalist painters often flatten forms in their work.
  • Emphasis is placed on large forms and not detail or line.
  • Tonalist paintings feature generalized locations lacking specific associations.
Cheers,

M Francis McCarthy
Landscapepainter.co.nz

A bit about 'Evening Sky by Henry Ward Ranger, Henry's painting has a very nice glowing quality that I enjoyed doing a study of. 

I definitely relate to the compositional motif and the way he has divided the space. As per usual for this project I have eliminated the figure in the little boat.

To see more of my work, visit my site here

Original painting, Evening Sky by Henry Ward Ranger

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Day Forty Seven: Moonlight by Charles Warren Eaton

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Day Forty Five: Midsummer by George Inness